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brunnen in einem hof charles louis clerisseauFontaine dans une cour : un havre de paix Fontaine dans une cour de Charles Louis Clrisseau voque un espace de tranquillit et de beaut. La toile dpeint une cour intrieure, o une fontaine dlicate trne au centre, entoure de verdure luxuriante. Les nuances de bleu et de vert, associes des touches de lumire, crent une atmosphre apaisante, presque mditative. Clrisseau utilise une technique raffine, mlant prcision architecturale et sensibilit paysagre, pour
Fontaine dans une cour : un havre de paix « Fontaine dans une cour » de Charles Louis Clérisseau évoque un espace de tranquillité et de beauté. La toile dépeint une cour intérieure, où une fontaine délicate trône au centre, entourée de verdure luxuriante. Les nuances de bleu et de vert, associées à des touches de lumière, créent une atmosphère apaisante, presque méditative. Clérisseau utilise une technique raffinée, mêlant précision architecturale et sensibilité paysagère, pour offrir une vision idyllique d'un lieu de repos et de contemplation. Charles Louis Clérisseau : un architecte et artiste visionnaire Charles Louis Clérisseau, actif au XVIIIe siècle, est surtout connu pour ses contributions à l'architecture et à la peinture. Influencé par le néoclassicisme, il se distingue par sa capacité à intégrer des éléments architecturaux dans ses œuvres, créant ainsi des compositions harmonieuses. Ses voyages en Italie ont profondément marqué son style, lui permettant d'incorporer des influences classiques dans ses créations. Clérisseau est également reconnu pour ses dessins et ses aquarelles, qui témoignent de son talent exceptionnel et de son sens aigu de l'esthétique. Une acquisition décorative aux multiples atouts La kunstdruck de « Fontaine dans une cour » est un choix parfait pour ceux qui souhaitent apporter une touche de sérénité à leur décoration intérieure. Que ce soit dans un salon, un bureau ou une chambre, cette toile évoque une atmosphère paisible et raffinée. Sa qualité d'impression assure une fidélité remarquable à l'œuvre originale, tout en offrant une dimension artistique à votre espace. En intégrant ce tableau dans votre décor, vous créez un environnement inspirant, propice à la détente et à la contemplation.Shipping Notes
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★★★★★ 5
The History of American fascism
Format: Hardcover
Quality and fierce journalism. Reviving and honoring adherence to a true history and context of American fascism
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Reviewed in the United States on March 15, 2026
★★★★★ 5
Well Researched and a Terrific Read
Format: Kindle
Thank you Rachel! I enjoyed this so much, it was an eye-opener. So much I didn't know.
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Reviewed in the United States on February 12, 2026
★★★★★ 5
5 Star
Format: Hardcover
Rachel is a very fine writer.
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Reviewed in the United States on April 19, 2026
★★★★★ 5
Informative
Format: Hardcover
Good read
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Reviewed in the United States on March 28, 2026
★★★★★ 5
If we care about racism and white privilege, what should we do?
Format: Kindle
One hundred and fifty-two years ago, slavery ended in the United States. And yet the tentacles of that time touch lives every day, all these years later.
What can be done to make things better? Michael Eric Dyson, a sociology professor at Georgetown University, and an ordained Baptist minister, suggests that white people who care about the lives of black people should make individual reparations. In his book, Tears We Cannot Stop …A Sermon to White America, Dyson says, “{Black people} built a legacy of excellence and struggle and pride amidst one of the most vicious assaults on humanity in recorded history. That assault may have started with slavery, but it didn’t end there. The legacy of that assault, its lingering and lethal effect, continues to this day. It flares in broken homes and blighted communities, in low wages and social chaos, in self-destruction and self-hate too. But so much of what ails us—black people. That is—is tied up with what ails you—white folk, that is. We are tied together in what Martin Luther King Jr. called a single garment of destiny. Yet sewed into that garment are pockets of misery and suffering that seem to be filled with a disproportionate number of black people.”
The book, unlike Dyson’s other scholarly works, takes the form of a worship service, and uses the concept of an extended sermon, or jeremiad, to lead the reader through confession, repentence, and redemption “through the long night of despair to the bright day of hope.” In Dysons’s view, “whiteness is a problem to be struggled with,” and his book is of inestimable value in grappling with the struggle.
The book speaks at length of police brutality against black people, and fervently tries to create empathy in white readers. It includes an extraordinary bibliography of books which give insight and voice to black history, oppression, pain, achievement, and lives.
And it speaks of reparations, and our responsibility as white beneficiaries of an unequal system, to take concrete actions to right the wrong, the change our country and the lives of our black sisters and brothers and their children.
Dyson is imaginative, and has many suggestions for how an individual or group “I.R.A.”—an Individual Reparations Account. We could buy books for black college students, overpay our black accountant or hairdresser, pay the black person who cuts our grass double the amount on the bill, give to the United Negro College Fund, and more. He suggests that faith groups consider giving 10% of their revenues to a church I.R.A. In an interview in the New York Times Magazine, Dyson says, “If the sermon ain’t making you a little bit uncomfortable, it ain’t effective. Look, if it doesn’t cost you anything, you’re not really engaging in change: you’re engaging in convenience. I’m asking you to do stuff you wouldn’t ordinarily do. I’m asking you to think more seriously and strategically about why you possess and what you possess…..you ain’t got to ask the government, you don’t have to ask your local politician—this is what you, an individual, conscientious, ‘woke’ citizen can do.
I have read many—though surely not all—of the books Dyson recommends. I have grappled with white privilege as a mother of black children, a fighter against apartheid, a civil rights activist, a human being. I have never read anything which more cogently offers “woke whites” a path to being a part of the change. I urge you to read Tears We Cannot Stop …A Sermon to White America, and to take your place in the pantheon of people who help this country grow beyond its racist past.
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Reviewed in the United States on January 23, 2017
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