Bescor FP-430K Studio Combo Bi-Color and Daylight 3 Light Battery Kit
SKU: 89698858283

Bescor FP-430K Studio Combo Bi-Color and Daylight 3 Light Battery Kit

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Description

Bescor FP-430K Studio Combo Bi-Color and Daylight 3 Light Battery Kit2x LED 125 Daylight Fixtures 1x FP 180 Bi Color Light 3x AC Adapters 3x SLM 5 Batteries 3x Battery Chargers 2x SM 1 Swivel Ball Mounts 3x LS 180 Light Stands: 6' The FP 430K Studio Combo Bi Color and Daylight 3 Light Battery Kit from Bescor is great way for videographers on the go to light interviews, events or spot news. The kit includes two LED 125 Daylight fixtures, one FP 180 Bi Color Light, three multi voltage AC adapters, three 4. 3Ah SLM 5

  • 2x LED-125 Daylight Fixtures
  • 1x FP-180 Bi-Color Light
  • 3x AC Adapters
  • 3x SLM-5 Batteries
  • 3x Battery Chargers
  • 2x SM-1 Swivel Ball Mounts
  • 3x LS-180 Light Stands: 6'

The FP-430K Studio Combo Bi-Color and Daylight 3 Light Battery Kit from Bescor is great way for videographers on the go to light interviews, events or spot news. The kit includes two LED-125 Daylight fixtures, one FP-180 Bi-Color Light, three multi-voltage AC adapters, three 4.3Ah SLM-5 batteries with chargers, two swivel ball mounts, and three LS-180 light stands.

The Bescor LED-125 Daylight fixture is a 6500K on-camera LED light designed to combine bright output with a compact, highly flexible form factor. Powered by either six standard AA batteries, the included SLM-5 batteries, or an optional AC power adapter, the unit's 144 LEDs produce a bright, 125W tungsten equivalent beam that's dimmable from 25-100%.

The FP-180 Bi-Color Light features 180 LEDs (90 daylight and 90 tungsten) that allow the color temperature to be adjusted from 3200 to 5400K. The unit incorporates separate dimmers for the tungsten and the daylight balanced LEDs, allowing you to precisely control the color balance while you can also adjust the flicker-free output from 25-100%.

  • FP-180 Bi-Color Dimmable On-Camera Light

    The Bescor FP-180 Bi-Color Dimmable On-Camera Light features 180 LEDs, 90 daylight and 90 tungsten bulbs, providing variable color temperature from 3200 to 5400K. The unit incorporates separate dimmers for the tungsten and the daylight balanced LEDs, allowing you to precisely control the color balance. The unit features an on/off switch and provides a flicker free light that dims from 100 to 10% brightness and is flicker free at all dimming levels.

    The FP-180 is powered by 8 x AA batteries, or you can use an optional power supply that connects to the unit's DC input jack. A diffusion filter and orange color correction filter are included to allow you soften or adjust the color temperature of the light. It features a 1/4"-20 threaded mounting hole that accommodates the included articulating arm (with accessory shoe mount) or the included metal hook so you can hang the light.

    Independently dimmable tungsten and daylight balanced LED bulbs.
    Powers from 8 x AA batteries, or via optional power supply.
    1/4"-20 threaded mounting hole.
    Articulating arm with accessory shoe mount.
    UPC: 741147930804
  • Morning Star Series LED-125 Dimmable On-Camera Light

    The Bescor Morning Star Series LED-125 Dimmable 125W On-Camera Light is a daylight-balanced LED light with 144 LEDs and a CRI rating 85 that is equivalent to a 125 W light. The fixture is dimmable from 100% brightness down to 25% without flicker or significant color shift. It includes a diffusion filter that will bring the color temp down to 5500K, and the included amber filter further converts the color temp to 3200K, perfect for use with tungsten lights.

    Featuring a cold shoe foot with a built-in 1/4"-20 threaded mounting hole, the fixture provides flexible solutions for mounting to your camera. The body of the light features a cold shoe on both sides and on the top that allows you to mount other lights or accessories, not included, to the fixture. The light will run for up to 80 minutes of off six readily available AA batteries, or you can power it from an optional power supply for extended run times.

    Built-in cold shoes on the sides and top of the light allow you to stack additional lights or mount accessories that have a cold shoe mounting foot
    144 individual 5mm LEDs produce an 125W equivalent beam
    Daylight balanced at 6500K
    Includes an amber colored-correction filter
    Fully dimmable from 100% to 25%
    Features a 75 to 80 minute run time
    DC 12V / .9A input jack for AC use
    Extremely compact dimensions
    Uses six AA batteries or an optional AC adapter (sold separately)
    Suitable for use with 12V Bescor batteries (requires CLC-125 adapter, not included)
    UPC: 741147801005
  • AC Adapter for LED 125-Series Light

    This AC Adapter for LED 125-Series Light from Bescor can be used to provide power to a Bescor LED-125, LED-125K, LED-125KB, or LED-125B light. It features a type A plug that is compatible with type A or B power outlets. When in use, power is delivered to a compatible light through a 9.8' cable with a DC connector.

    • Provides power to a Bescor LED-125, LED-125K, LED-125KB, or LED-125B light
    • Compatible with type A or B power outlets
    • Delivers power to a compatible light through a 9.8' cable with a DC connector
    • 100-240 VAC ~ 50/60 Hz 0.8A power input and 12 VDC ~ 1.5A power output
    UPC: 741147807007
  • AC-180 Power Supply

    The Bescor AC-180 Power Supply is designed for the LED-180 light.

    UPC: 741147302601
  • SLM-5ATM Slimline, Starved Electrolyte Battery Belt (12v, 4.3 amp hours)

    The SLM-5 is a high performance Starved Electrolyte (Lead Acid) battery. A convenient strap is standard in addition to a sewn-in belt loop. The SLM-5 is designed for maximum strength and durability.

    Cell Chemistry
    The SLM-5 utilizes Starved Electrolyte, also known as Gel-Cell or Lead Acid.
  • Advantages:
    Low cost, high per cell voltage, no memory effect and good capacity life.
  • UPC: 741147270108
    In the Box
    Bundle Items
    • Articulating Arm Mount
    • Metal Hook
    • Drop-In Diffusion Filter
    • Drop-In Orange Color Correction Filter
    • Limited 90-Day Warranty
    • Frosted Diffusion Filter
    • Amber Colored 6500 to 3200K Correction Filter
    • Limited 90-Day Warranty
    • Limited 90-Day Warranty
    • Automatic Charger
    • 90 Day Limited Warranty

    Also Includes

    • 2 x SM-1 Swivel Ball Mounts
    • 3 x LS-180 Light Stands
    • FP-180 Bi-Color Dimmable On-Camera Light
      Lamp Type 90 Daylight (5400K)
      90 Tungsten (3200K)
      Mount Type 1/4"-20 threaded mounting hole
      Power Source 8 x AA batteries
      DC input jack
      Brightness 200 Lux @ 12' (3.65 m)
      CRI 91
      Power Connector DC input jack
      Dimensions 5.5 x 3.5 x 1.75" / 14 x 8.9 x 4.4 cm
      Weight 15 oz (425.2 g)
      Packaging Info
      Box Dimensions (LxWxH) 6.9 x 6.3 x 3.1"
    • Morning Star Series LED-125 Dimmable On-Camera Light
      LEDs 144 5mm LEDs
      Color Temperature 6500K
      Mount Type Shoe mount
      1/4"-20 threaded hole
      Dimmer 100% - 25%
      Power Source 6 x AA batteries
      Power Consumption 0.9A
      Power Connector 12VDC, 0.9A Input Jack
      Dimensions 4.6 x 1.62 x 4.0" / 11.7 x 4.1 x 10.2 cm
      Weight 8 oz / 200 g
      Packaging Info
      Box Dimensions (LxWxH) 5.4 x 4.8 x 2.4"
    • AC Adapter for LED 125-Series Light
      Compatibility LED Light: Bescor LED-125, LED-125K, LED-125KB, or LED-125B
      Power Outlet: Type A or B
      Power Input 100-240 VAC ~ 50/60 Hz 0.8 A
      Power Output 12 VDC ~ 1.5 A
      Power Connector DC connector
      Power Cable Length 9.8' (3.0 m)
      Packaging Info
      Box Dimensions (LxWxH) 3.2 x 2.55 x 1.7"
    • AC-180 Power Supply
      Type Miniature switching power supply
      Volts 12
      Amps 0.9
      Packaging Info
      Box Dimensions (LxWxH) 4.1 x 2.9 x 2.2"
    • SLM-5ATM Slimline, Starved Electrolyte Battery Belt (12v, 4.3 amp hours)
      Chemistry Starved Electrolyte
      Output Voltage 12V
      Connection Cigarette Lighter Connector
      Capacity 54WH
      4.5AH
      Weight 1.8kg
      4lbs
      Dimensions 19.38 x 101.6 x 50.8mm (WxHxD)
      4.7 x 4 x 2" (WxHxD)
      Packaging Info
      Box Dimensions (LxWxH) 6.7 x 6.3 x 4.4"
      All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.
      Shipping Notes
      • Free Standard Shipping on $100+ Orders to the USA.
      • Except Preorder products are shipped in 48 hours.
      • Delivery to the USA:
      1. Standard Shipping : 3-10 business days
      • If time is of the essence, please consider selecting expedited delivery for faster service.
      Exchange/Return Notes
      • We offer a 30-day return/exchange service after receiving.
      • Final sale items are not eligible for returns or exchanges.
      • To process your return/exchange, please contact us at [email protected]
      • Please click here for more details>>> Return & Exchange Policy
      SKU: 89698858283

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      4.4 ★★★★★
      Based on 2387 reviews
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      Kendal Brian Hunter
      Boise, US
      ★★★★★ 5
      Wicked Satire, yet Strangely Familiar
      Format: Mass Market Paperback
      Heinlein's satire is wicked and well-placed, reminiscent of Voltaire and Swift. IF you love British comedy, you'll love this book. Both come from the same sarcastic taproot. I'm still debating whether or not the main charter is Smith or Jubal. Maybe it is us, since we need to recognize that we are Juba, and must nurture, and eventually become like Smith. Smith's reflective, contemplative message, reminds of Thomas A Kempis ( ), James Allen ( ), Lao Tzu ( ). Smith's message is nothing new: as C. S. Lewis pointed out, "Really great moral teachers never do introduce new moralities: it is quacks and cranks who do that... The real job of every moral teacher is to keep on bringing us back, time after time, to the old simple principles which we are all so anxious not to see." . In fact, Smith's slogan "Thou art God" is merely run-of-the-mill Christianity: * "Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me." * "Be ye therefore perfect, even as your Father which is in heaven is perfect." * "Therefore, what manner of men ought ye to be? Verily I say unto you, even as I am." * "Ye are gods; and all of you are children of the most High." * "God became man so that man might be god." * "It is a serious thing to live in a society of possible gods and goddesses to remember that the dullest and most uninteresting person you may talk to may one day be a creature which, if you saw it now, you would be strongly tempted to worship, or else a horror and corruption such as you now meet if at all only in a nightmare. . . . There are no ordinary people. You have never met a mere mortal, Nations, cultures, arts, civilizations, these are mortal, and their life is to ours as the life of a gnat. But it is immortals whom we joke with, work with, marry, snub, and exploit--immortal horrors or ever lasting splendours." . Heinlein seems to have stolen a page from Søren Kierkegaard, who tried to re-Christianize Christianity ( , 458). To paraphrase John, "Brethren, I write no new commandment unto you, but an old commandment which ye had from the beginning." As I read this book, Smith struck me as oddly familiar. His first name, Michael, refers to the Archangel, the captain of the Lord's army. The second name, Valentine, is the patron saint of all shades of love, phileo, agape, eros, and romance. The last name, Smith, makes him Everyman. But I wonder if there is something more. What happens to Smith is common to all founders of religions--Abraham, Jesus, Mohammed, and so forth. There is evolution, turns and twists of fate, and eventual triumph. However, there is a deeper nuance. Society begins with vulgarized Christianity, then there was the Fosterite Revolution, and another apostasy and commercialization of religion as a Megachurch. And lastly comes along Smith, with his Martian philosophy. This bears a strong parallel to the life of Joseph Smith . In fact, both have a similar martyrdom: "Thou art God" versus "O Lord My God." The satire can get tedious at time, but I think this flaw is excusable. As I read, I kept thinking that this book could loose about 1/3rd of the text. But on the other hand, the artistry and beauty of the wicked satire forces me to say, "Leave it alone." Note: This book is the Q document for so much other fiction. I see shades of "Dune" here and there. Smith the new prophet is akin to Ender, the Speaker for the Dead. And if you have seen Star Trek: The Original Series episode "Charlie X," some of the elements will seem a bit too familiar. Keep in mind that this book came first, and that it does a much better job of mixing wit and wisdom than Kirk and Spock. There is no comparison--after reading this book, "Charlie X" rolls like a flat tire.
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      Reviewed in the United States on July 9, 2007
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      P. Biealczyc
      Omaha, US
      ★★★★★ 5
      Really nice
      Format: Paperback
      Great read and gift
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on May 31, 2026
      K
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      Kindra Foster
      Cuba, US
      ★★★★★ 4
      Classic, but a bit disappointed
      I’ve always wanted to read this book. Heard a lot about it and it’s importance in the science fiction genre. But I didn’t care for Heinlein’s style of writing. There was a lot of subtle humor in it that was enjoyable, and I suspect he meant for it to be a caricature of humanity. I enjoyed the analysis of human nature throughout the story. But I was disappointed in the direction the story took toward the end. It seemed like a cheap way to develop the possibilities that had been laid out in the rest of the book. I want to believe human beings would value the opportunity and show up in a better way if such a thing really happened. I felt like the main character was so rich and unique in the beginning, but in the end, he felt flat and inscrutable. Having said all of that, maybe if I hadn’t been swayed by my own expectations, I would have enjoyed the story more. I’ll have to try some of his other books and see what I think!
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      Reviewed in the United States on May 28, 2024
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      Craig in NE CT
      Waukegan, US
      ★★★★★ 5
      Great story!
      Format: Mass Market Paperback
      I read this book as a teenager, in the 1960s, and just, now, finished rereading it, at age 65. I see that I missed many of the author's ideas (due to my youthful lusts, antics, and ignorance of life and of the Bible). "Stranger in a Strange Land" struggles with boundaries of self, morality, and what may constitute/govern a normal healthy society. The author pokes at our spiritual needs, ideas, or rituals upon which we all depend to order our lives, whether we be atheistic, pantheistic, or monotheistic. By minimizing God and godhood to the level of individual understanding and growth, the Heinlein's story posits that all philosophical views need not be antagonistic toward one another; that, by default, truth is and should be relative, given our potentially reformed natural self-interests. Whether a `religious' or irreligious person or organization is primitive, civilized, or `who-cares', Heinlein poses that, despite our ideologies that distinguish us from others, or unite us, only a growing constructive self-awareness is really important, not whether God really exists or whether we will face a final judgment. The author's trick to redemption is how we decide to get along with ourselves and our neighbors, within a `fly right, or mess up and go back to the beginning' scenario, in contrast to the biblical one-life-one-chance view. By design or default, in this story, Heinlein relegates God below human self-actualization, and allows no room for absolute truth. Heinlein's self-fulfilling self-actualization is entirely at odds with biblical Christianity and biblical Judaism, yet quite at home with most religions and faiths that rely on salvation by personal works, and reincarnation-based religions. Maybe that was part of the author's point in telling the story. When it comes to putting a halt to abusive powers, I have to chuckle at how Heinlein has Smith frustrate the overbearing powers-that-be. A thought struck me about twenty years ago that those who have power or understanding have a God-given responsibility to exercise discipline and restraint with those who lack power or understanding. Having more power or understanding than someone or something else does not obviate one's responsibility to exercise that power or understanding to better the world in which we live, nor does it entitle one to do ought but to treat others with love, respect, and decency, which, for the betterment of society and our world, may require that one's power or understanding be exercised to identify or destroy evil. Though this philosophy is exercised by the lead character within the story, the clarity of this comes late to Valentine Michael Smith, yet, sadly, such clarity does not move him to embrace an absolute God, absolute truth, nor his own existence as a created being that is not God, leaving Heinlein's view of life and after-life harshly in contrast to the biblical viewpoint, hence at odds with God. Martian or human, in the end, Heinlein simply does a shell game with his characters, when the issue of death arises, leaving readers to guess in what level the author will eventually hide them, to avoid a final judgment, leaving each soul's story to continue ad infinitum, ad nauseam, without any ultimate accountability. This is an entertaining science fiction story, yet, Heinlein's ideas, in this sexual-religious-social romp, border on theological sophistry. His ideas will probably offend most established points of view. Despite his general bravado, and so bold a topic, Heinlein omits balanced discussion among the characters, fails to deal with any absolute truth or true final judgment of evil, and perfunctorily dismisses biblical views that might be germane to cogent biblical discussion. There are two upwelling truths that the author has twisted and cheapened them considerably, by his denial of absolute truth and avoiding our accountability to God's perfect righteousness. Those are self-sacrificing love and the inevitability that every soul is responsible for her/his own thoughts and actions. Though he allows watered down versions of those traditional moral elements to remain, Heinlein (who must have seen too many money-hungry medicine shows, tent meetings, and carnival acts) relies solely on human constructive self-awareness, self-discipline, and self-empowerment to pose a stab at a positive future for humanity and the afterlife. The story's quasi-moral might read, "Find any way to beat the present system and exploit it at almost any cost, so long as no one really gets hurt." Smith's earthly end-game of self-sacrifice is a corrupted shadow of Christ's. Smith's is a twisted image of self-sacrifice, a huckster's trick to work the crowd, avoiding entirely the biblical God and plan of Christ. Heinlein's bootstrap theology, in the end, can neither respect nor agree upon one God, nor save itself from its own moral meanderings and wishful unthinking of human sin. As an author, myself, I would add that every one of our actions, gestures, and our written or spoken utterances, has its consequences, and that we are ultimately responsible, to God, for everything that we generate and utter. I believe that Heinlein's story agrees partly with my belief, except that Heinlein leaves the one true God completely out of his story. Despite Heinlein's philosophical thrust that everyone can claim "Thou art God", for self or others, I personally subscribe to the biblical view that all things and people are created by God, and that He holds us together by His Laws and will, and that there is, yet, a separation that He reserves between us and Him, that can only be bridged or reconciled through His Christ, and, furthermore, that we are the only part of His Creation that has been offered that exclusive plan of redemption. By contrast, Heinlein's story offers the carrot of constructive self-awareness as the means of possible redemption for humanity, insecurely hoping to save us from ourselves. Craig M. Szwed (Author, photographer, combat veteran, father, composer)
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on May 18, 2013
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      M. Estopinal
      Carnegie, US
      ★★★★★ 5
      A True Arthurian Legend
      Format: Mass Market Paperback
      The Once and Future King provides an excellent perspective into the world of Arthur, the King of England. This book is divided into four sections, each dealing with the different aspects of Arthur's life, including both the good and the bad. The first book, the Sword and the Stone, has been immortalized by countless movies, such as the one by Disney. This book deals with the upbringing of Arthur, or in this case, Wart, his childhood nickname. Here we see the trials Wart must face as he learns about the many forms of leadership, courtesy of his mentor, Merlyn. The second book, the Queen of Air and Darkness, is a prelude to the collapse of Arthur's kingdom. The result of this book begins to brew throughout the entire novel, finally impacting at the end of the final book. The third book, the Ill-Made Knight, is my personal favorite. This book is about Lancelot's personal quest to become the best knight in the world. This book is filled with exciting quests that Lancelot has taken up, including such things as saving a maiden from a boiling pot of water, as well as the ill-fated quest to find the Holy Grail. The fourth and final book, the Candle in the Wind, deals with the collapse of Arthur's kingdom. Arthur's sins "come home to roost" in this book, forcing him to make decisions that could jeopardize the safety of his wife, Guenever, and his best friend, Lancelot. This novel is truly one of the classic fantasy books that one reads and never forgets. Although there are many portrayals of the Arthurian legend, this is without a doubt one of the better ones.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on September 6, 2004

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