Mooer MSC20-PRO-BB Electric Guitar (Black Burst)
SKU: 19425005139

Mooer MSC20-PRO-BB Electric Guitar (Black Burst)

Sale price$193.50 Regular price$215.00
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Description

Mooer MSC20-PRO-BB Electric Guitar (Black Burst)Any guitarist can agree that while its always exciting to see new innovations arriving on the guitar scene, sometimes, its wise to follow the classic advice, If it aint broke, dont fix it. This is precisely the attitude that MOOERs GTRS has taken with some of its recent guitar installments; the company famously produced technically impressive intelligent guitars such as M800 and S800 series, but more recently, theyve been focusing on getting back to

Any guitarist can agree that while it’s always exciting to see new innovations arriving on the guitar scene, sometimes, it’s wise to follow the classic advice, “If it ain’t broke, don’t fix it.” This is precisely the attitude that MOOER’s GTRS has taken with some of its recent guitar installments; the company famously produced technically impressive intelligent guitars such as M800 and S800 series, but more recently, they’ve been focusing on getting back to the basics with its classic electric MSC10 Pro and now, the MSC20 Pro.

Unlike the GTRS intelligent series of electric guitars, the MSC20 Pro doesn’t come with internal amplification and effects, but that’s precisely what makes it so special–it’s a classic, budget, albeit masterfully constructed electric guitar. It’s ultimately an enhanced version of this year's MSC10 Pro, featuring a similar strat-style poplar body but augmented with its slick, gloss finish and selected ash top.

One key area in which the MSC20 Pro has been upgraded from its previous generation is its available color schemes, which currently include Amber Brown, Black Burst, Prune Purple, and Ocean Blue. Each of these colors are unique to the MSC series, and are all applied to both the body and the headstock of the guitar, helping it to stand out stylishly yet subtly in any guitarist's collection.

While it’s true that the MSC20 Pro is a highly affordable guitar, this isn’t initially clear considering its strong arsenal of tonewoods. For instance, the previously mentioned poplar and ash body is complemented by a roasted maple C-shape neck with a beautiful satin finish, just like its older brother, a combination that is very rare to see on lower-end guitars. Roasted maple is famously praised for its structural stability and resonant consistency, so it’s typically only found on more expensive models.

Just like the MSC10 Pro, this predecessor assembles its body and neck through bolt-on construction, a bone nut, a dual-action steel truss rod, and MTN-1 chrome tuning pegs. However, instead of the original tech ebony fingerboard, the MSC20 Pro features a unique Jatoba style, giving it a more organic, wooden feel that is welcome to see, especially considering the price point. This natural look is added to with the guitar's minimalistic White Shell dotted inlay across 22 nickel-silver frets, keeping things simple but classic.

As you would expect from any strat-style guitar, MOOER has installed a versatile range of pickups to capture the guitar's tonewoods in their full glory, consisting of the MSC-1N single-coil neck pickup, the MSC-1M single coil middle pickup, and, of course, the classic MHB-1B humbucker bridge pickup. Accompanied by these coils is the guitar's 5-way pickup switch and tone dial, ensuring that guitarists can experiment and adapt their tonal output to fit within the context of a performance.

However, to add to these tonal capabilities even further, the MSC20 Pro even includes an impressive coil split switch, providing a quick and accessible way to switch up tones in a live setting. This is combined with all the small yet essential details any guitarist needs within a performance environment: a solid chrome strap pin to ensure that dynamic movement never gets in the way of a gig, an MVT-1 6-hole Vintage Tremolo bridge, and an easy-access volume dial.  

Overall, the MSC20 Pro is a seamlessly constructed guitar offering excellent value for money to a guitarist on a budget, just like the MSC10, but with more bang for the buck–especially when it comes to the body’s ash top, the tonal split switch, and the new colors and fingerboard style. To top things off, the guitar’s GGW logo is a clear reminder of MOOER’s GTRS Guitar Works factory, which was built back in 2019 and has, ever since, built itself a reputation of expertise in high-quality guitar construction, electric circuitry, and visual curation.

Specifications

  • Construction Bolt-On
  • Neck Roasted Maple
  • Neck Finish Satin
  • Tuner MTN-1Chrome 
  • Nut Bone
  • Neck Shape Standard C
  • Fingerboard Jatoba
  • Dot Inlay White Shell
  • Radius 12" (305mmR)
  • Frets 22 Nickel Silver
  • Truss Rod Dual Action Steel
  • Strings 09-46
  • Scale 25.5" (648mm)
  • Body Poplar + Selected Ash Top
  • Body Finish Gloss
  • Color Ocean Blue, Black Burst, Amber Brown, Prune Purple
  • Strap Pin Chrome
  • Bridge MVT-1 6 Hole Vintage Tremolo
  • Pickup Neck: MSC-1N Single Coil Middle: MSC-1M Single Coil Bridge: MHB-1B Humbucker
  • Controls Vol x1 Tone x2 Coil Split Switch x1 5 Way Switch
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SKU: 19425005139

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Reckless Reader
San Leandro, US
★★★★★ 5
Spectacular Albeit Unknown History of Race Relations
Format: Hardcover
This is a great piece of historiography about something few know about at all --- slavery in New York City in the 18th century. How about a slave "rebellion" in New York City, how about more people burned at the stake than in the Salem witchcraft trials, how about dark byways and highways of old New York, barely transformed from its days as New Amsterdam, dark plots in dank places, shrill frightened tyrants overreacting with bloody retribution, burned ruins of an early African American village in Central Park? One cannot make up this stuff, it is too real so it must be history at its best. And written by one of our premier authors of history, a woman who makes our history live in The New Yorker to the acclaim of many, and yet whose best book, this one, is still too little known. If you appreciate Harry Truman's remark that the only new thing under the Sun is the history you haven't read, then this is one to curl up with and marvel at; a great way to spend a rainy day or a dark night.
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Reviewed in the United States on January 22, 2010
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Michael Pointer
Boise, US
★★★★★ 4
Good, but not great.
Format: Paperback
Kudos to Lepore for delving into an important, little known subject, which she does better than most historians. At times, however, I think she felt the need to put every little piece of information she got into the book. It was way too long. Some good research, but she has done better. Still, worth checking out. I like to think I know American history, but I know nothing about this awful chapter.
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Reviewed in the United States on April 1, 2019
J
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John Warren
Lowell, US
★★★★★ 5
DAMN, this is a great book!
Format: Hardcover
All history books should be this detailed, this readable, this humane. Lepore knows how to write about a horrible, nearly forgotten episode in NYC history. Unlike many historians, she steps away from overt politics or raw emotion. She knows that this subject is too serious to be shouted. It is the rare history book that is packed with facts as well as knowledge. I felt like Lepore was taking my hand and leading me through the smelly streets of lower Manhattan in 1741, like I could almost see the faces of...what were they, anyway? The victims of a horrible hoax? The demented planners of a plot to burn the city? Or something in between, where thieves can also be the keepers of ancient rites from a distant homeland, where the world is turned upside down? I could go on and on, but just buy the book!
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Reviewed in the United States on May 20, 2008
K
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Kim Burdick
Natrona Heights, US
★★★★★ 3
New York Burning
Format: Paperback
. This is an important book that explores in depth what is usually only found in textbooks as a one-sentence summation: "In 1741 there was a slave uprising in New York City." Scholars will probably be happier starting with the Appendix and bibliography and then reading the book. The text is disorganized and uneven, and although this is non-fiction, the characters could have been more finely drawn. Peter Zenger's trail keeps popping up in unexpected places, often disconnected from the action the author is working on. Some sections are heavy on primary documents and period writings, others are more poetic. Yes, I do understand the parallels with the Salem Witch Trials. The Salem Witch Trials get more press today because of Arthur Miller's "Crucible." Color and religion of the participants aside, both events are stories of group think and mass hysteria, fear and anger. There is plenty of room here for a first-class film or play to be written. Read this book, learn from it. Expect to complain about it. Kim Burdick Stanton, DE
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Reviewed in the United States on November 7, 2014
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Robert B. Tauber
Draper, US
★★★★★ 5
What You Didn't Know
Format: Paperback
Did you know that if you were a Catholic Priest on the streets of New York in 1747 that you'd be arrested and hung! Great book if you're interested in the times during which our founding Fathers were growing up. It'll give you a different concept on how slavery was different in NYC as opposed to in the South, and how many of the streets in NYC got there names from English magistrates. If you like history, especially of NYC, you'll love this book.
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Reviewed in the United States on January 24, 2015

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