SKU: 12477138748

Stark HFSSTC Electronic Candle Tesla Coil Plasma Loudspeaker 7MHz High Frequency Toys - Random Black / Transparent Shell

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Description

Stark HFSSTC Electronic Candle Tesla Coil Plasma Loudspeaker 7MHz High Frequency Toys - Random Black / Transparent ShellStark HFSSTC High Frequency Tesla Coil Plasma Loudspeaker Electronic Candle Technology Toys Random Black Transparent ShellFeatures:. Original Intention of Design: This is a high frequency Tesla with a resonance frequency of 7MHz, so the arc is not in a radiating state. The arc is like a candle flame when it is energized, bright but not dazzling, and quiet. At the same time, this is also a Tesla that can play music, with good sound quality, high

Stark HFSSTC High Frequency Tesla Coil Plasma Loudspeaker Electronic Candle Technology Toys - Random Black / Transparent Shell

Features:


.Original Intention of Design: This is a high-frequency Tesla with a resonance frequency of 7MHz, so the arc is not in a radiating state. The arc is like a candle flame when it is energized, bright but not dazzling, and quiet. At the same time, this is also a Tesla that can play music, with good sound quality, high reproduction, extremely low noise, clear treble, clear vocals, and a very high-end technology toy.


Technical Essential:

(1) Teflon tube, Teflon silver-plated wire, high temperature resistance, anti-oxidation, and can work for a long time.

(2) 7MHz UHF radio frequency circuit design, original design, excellent sound effect.

(3) All NFO capacitors are several times the cost of ordinary capacitors, and high-frequency capacitors have a long life.

(4) 8mm base plate heat sink, strong heat dissipation capacity, not bad for a long time.

(5) 60v power supply, high power, long arc, high quality sound.
.Usage:

(1) First of all, make sure that the switch on the main body is facing down, and it is closed at this time.

(2) Connect the power supply to the main body.

(3) Connect the 220v power cord of the power supply to the socket.

(4) Hold the screwdriver, put the screw close to the top 5mm of the main body, move the switch on the main body up, and quickly remove the screwdriver.

(5) Due to the high power and frequency of the product, it may interfere with the normal use of the phone. Before playing music, you need to connect the audio cable to the phone, and play the music on the phone first, and then connect the other end of the audio cable to the main body.


.Note:

(1) The high frequency may interfere with nearby electrical appliances, please try to use it in an open place.

(2) Apple mobile phone may not play normally, please be careful if you mind.

(3) The arc temperature is extremely high, please do not approach the coil to avoid radio frequency burns.
.Applications Widely:

Suitable as a gift for technology enthusiasts, can be used for Tesla coil teaching demonstrations, can also be used as a technology toy, magical and fun, strong viewing, inspire enthusiasm for learning and interest in scientific exploration Cultivate innovation and creativity.
.For Ages: 14+

Specifications:

.Color: Random Black / Transparent Shell
.Material: Metal + Acrylic + Electronic Components
.Voltage: 220V to 63V power supply
.Current: 4-5A.
.Product Dimensions: 12 x 12 x 25cm
.Product Weight: 1400g
.Package Dimensions: 16 x 16 x 30cm
.Package Weight: 2000g
.Packing: Box

Package Content:

.1 x Tesla Coil

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SKU: 12477138748

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4.1 ★★★★★
Based on 283 reviews
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Product Reviews
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Madison
Battle Creek, US
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
Denomination: 0, Design Name: You're the best. (Animated)
Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
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Paul Frandano
Louisville, US
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding. Serious. Hilarious. Wise. Faux-wise. Scholarly. Mock-scholarly. Observant. Absurdly, obsessively observant. Sharp characterizations. Ridiculous characters. Devout. Bawdy. Endearing. Frustrating. Genius. Barking mad. Narratively incoherent. Stream-of-consciousness associative. Consistently provincial. Profoundly universal. Mired in the 18th century. Harbinger of 20th century literary Modernism. Baffling. Brilliant Not for every taste. For my taste. And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more. And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
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Ritesh Laud
Lake Worth, US
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters. I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story. Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict. It's not trying to teach anything, really. So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count. I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up: "No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations." It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
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Reviewed in the United States on July 31, 2005
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Diogenes
Birmingham, US
★★★★★ 3
Interesting read, but takes some getting used to
I heard about this book on a blog, and figured I'd check it out. It's the rambling tale of a man determined to give you every last detail of everything that might be important to the narrative of his life. Unfortunately, he goes on tangets so often that he doesn't even get to his birth for several chapters, let alone the story of the rest of his life. Along the way, you're introduced to lots of random characters who are (at best) loosely related to the protagonist, but as often as not these tangents are fairly amusing. The writing is pretty dense, and this along with the tangents had me putting the book down fairly often. It's probably ideal for a commuting book, but I never wanted to just sit down and blitz through big chunks of it. Overall it's a very different kind of experience than a novel reader typically gets. It's worth a read for a change of pace, but I can't say it's a life-altering read.
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Reviewed in the United States on March 21, 2013
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J. W. Kennedy
Louisville, US
★★★★★ 4
Mixed Bag
Everyone should know, first off, that the Dover thrift edition is NOT a graphic adaptation. For some reason, Amazon has attached editorial reviews from the hardcover edition of the graphic novel version to this page. Now, the book itself offers a range of experiences from delightfully hilarious to annoyingly tedious. Lots of the "funny" parts depend on an understanding of 18th-century social mores. I'm sure some of it went over my head but I'm enough of a nerd to have enjoyed most of the drollery. I think... The story is whimsical, told all out of order by a scatterbrained, easily-distracted narrator. Tristram Shandy himself is hardly in the novel at all; aside from narrating it, he only appears momentarily as a newborn infant and then as a boy about 6 years old - and his role in both incidents seems peripheral to the carryings-on of the other characters. Each turn in the story reminds the author of something else, and he turns aside to tell stories inside of stories, each of which are necessary to give the reader some vital "background information" .. with the result that the main story hardly moves forward at all. It takes nearly 200 pages just for Tristram to be born! and even then the reader isn't quite sure it has happened since the conversations and minute actions of the other characters are magnified to such an importance that the narrator's own birth is hardly observed. For the most part this rambling comes across as "quirky and delightful" and the novel flows along quite pleasingly in spite (or perhaps because) of it. The digressions add layers to the story. Except when they don't. The "chapter upon noses" which is a translation of a fictitious(?) Latin work by the great Slwakenbergius, has little bearing on the story. Like most of the book, it builds up to a climax and then stops short of resolution, leaving you to wonder what was the point. It leads nowhere, but at least it was interesting. The same cannot be said of Book VII, which is a sort of travel diary of Tristram (in the novel's "present" time) touring France by post-chaise. Although this is the only significant appearance of Tristram himself as a character in the book, it has absolutely nothing to do with the story/stories he was telling, and it is neither very interesting nor very funny. It serves as nothing but a pointless interruption, delaying the reader for 50 pages before getting to the part we were waiting for: Toby's courtship of the widow Wadman. This last section goes along nicely for a while, and then the book stops. It doesn't end; it just stops right in the middle of a conversation, with the courtship unresolved and most of the reader's questions unanswered. This is perfectly in keeping with the spirit of the entire novel, but I have to admit it's frustrating. I had trouble deciding whether to give this book 3 or 4 stars but I think it entertained me more than it exasperated me, so I'll give it the benefit of the doubt ... and round up from 3.5. It's worth reading once, just for the experience - there's no other book quite like it - and the price of the Dover Thrift Edition can't be beat.
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Reviewed in the United States on September 23, 2010

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